Took in a book sale this past weekend, two bucks a bag to benefit my local library, Albert Church Brown Library in China Village, Maine. Lots of good stuff: some history, some mystery, and a book that took me back to my roots in writing mystery novels.
It was a hardcover edition of Risk by Dick Francis, a first of the U.S. edition published by Harper & Row in 1977. This was before Dick Francis hit it big in the U.S. so the book is unassuming: small with a goofy painting of two jump jockeys taking their mounts over a hedge. It appears the artist didn’t know much about horse racing or equine anatomy, but still, there’s a nice period feel to it. The blurbs are from newspapers like the Houston Post and Indianapolis News.
I picked the book up off the table and immediately flashed back to picking this book up from another table. I was in college and had come home for the summer. My dad, who always had a stack of books by his chair on the breezeway and in the living room, had this book open on top. I remember picking it up, flipping through the pages, sniffing dismissively and putting it back down. Fresh off a year of Virginia Woolf and James Joyce, I even suggested to my dad that he not waste his time on mysteries. There was serious literature to be read!
I don’t recall my dad’s response, but he was a wise man and probably just smiled, knowing I was young and would occasionally say goofy things.
But that summer I picked up the Dick Francis book again. I flopped on the couch, skimmed a bit, decided to give it a try. It was my first acquaintance with that feeling that a good mystery or thriller gives you as you’re propelled from page to page, chapter to chapter. You come up for air to check your watch, dive back in. Sometimes you slip away to a more private place so you won’t be interrupted. You stay up too late, knowing you have to be up early in the morning. Just one more chapter. And another. And another.
And when you’ve read the last page, it’s like wrenching yourself out of a dream. You turn the book over, look at the cover once again. Maybe stare at it, put it down, pick it up again. Shake yourself, and grudgingly leave the world of the book behind.
More Dick Francis novels followed that summer. A few Tony Hillermans. Others I don’t recall. But the door opened and here we are. I hope my books give readers that feeling. When someone is kind enough to write and say they read a Jack McMorrow in two sittings, I think back to Dick Francis and his detective jockeys and the first time I knew what is meant by the words, “I couldn’t put it down.”
Do you recall when you first got hooked on mysteries? Comment here, if you’d like.
So that’s the news from this neck of Maine. A week at home and then off again in September: Bangor, Camden, Portland, a swing through Vermont. Details in the events list. Hope to see you along the way.





In PORT CITY SHAKEDOWN, the first Brandon Blake novel, Brandon gets a full dose of bad guys. A brawl in a funeral home introduces him to Joel Fuller, a sociopathic hustler. Fuller is fresh out of jail and determined to take Brandon out—after Fuller and his sidekick Kelvin shake him down.
Rocky isn’t a tough guy. He’s a skinny little kid with crooked glasses, and he shouldn’t be homeless in Portland, Maine. When McMorrow and Roxanne pluck him from under the stomping feet of a gang of street kids, Rocky latches onto McMorrow–and drags him into a world of murder, both old and new. Why is McMorrow protecting Rocky? The cops want to know. Why is Rocky on the run? McMorrow wants to know. Why does death follow in Rocky’s wake? Jack and Roxanne need to find out before they’re added to the list.