It’s snowing like a banshee in my neck of the Maine woods. Good day to sort things out in the study, get ready for the next book. This is an odd time in the novel-writing cycle, which goes like this:
You mull ideas, hope to settle on one. Hit the road for research. Sketch out the plot and characters. Write the book to the end, them go back and do the fixes, the changes, stick in the ideas that came to you along the way.
Read it through. Read it again. And then you send if off. In this case, PORT CITY DEATHTRAP went to my agent, Carol White at The Helen Brann Agency. Carol liked it, which is not a given. Soon I’ll hear from my editor, Michael Steere at Down East Books, with his notes, questions, comments. I hope I got the guns right.
But for now the book has left the building. The study is quiet. Today went in and picked up legal pads. Rumpled Stickynotes. (There’s a desktop under there!) Bits of paper where I scrawled an idea that came in the middle of the night. Some are indecipherable. Some have names of characters who didn’t make the cut. I see reminders to self: Layer in more weather … should it be a Glock 19 or 26? … What is Nessa thinking? … Should Lil Messy die? …
I addressed most of the questions. Some I ignored. The rejected ideas went one way and the story went another. But now it’s gone.
It’s an almost-melancholy feeling, kind of like walking through your kid’s room after they go off to college. You neaten stuff up, feel nostalgic. A little hollow.
So now it’s time to kiss some of these characters goodbye. After six or more months up as my constant companions, we’ve moved on. Lily the trustfunder. Winston, the charming restaurater. Cawley the biker. Chantelle the crackhead and her baby, Lincoln. Samir and Edgard, Sudanese-born brothers navigating America in Portland, Maine.
You get pretty used to having these people around, sitting down in the morning to see what they’re doing, having your little chats on the page. And then you say goodbye. Hand them over to agent, editor, publicist. This private thing you had going with your group of made-up friends, it comes to an end. Sure you’ll read about them—in editing, at signings— but it isn’t the same.
So on to the next book. Turn away from Brandon Blake. Check back in with Jack McMorrow. Hit the road. Start filling notebooks. Scraps of paper. Invent another group of characters to hang with.
In the study. In the quiet. In my head.








In PORT CITY SHAKEDOWN, the first Brandon Blake novel, Brandon gets a full dose of bad guys. A brawl in a funeral home introduces him to Joel Fuller, a sociopathic hustler. Fuller is fresh out of jail and determined to take Brandon out—after Fuller and his sidekick Kelvin shake him down.
Rocky isn’t a tough guy. He’s a skinny little kid with crooked glasses, and he shouldn’t be homeless in Portland, Maine. When McMorrow and Roxanne pluck him from under the stomping feet of a gang of street kids, Rocky latches onto McMorrow–and drags him into a world of murder, both old and new. Why is McMorrow protecting Rocky? The cops want to know. Why is Rocky on the run? McMorrow wants to know. Why does death follow in Rocky’s wake? Jack and Roxanne need to find out before they’re added to the list.