ABOUT THE BOOKSTHE JACK MCMORROW MYSTERIESBRANDON BLAKE: A CRIME NOVEL

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June 14th, 2011

The problem with true crime? It’s true

“Oh, the horror.” —Joseph Conrad, Heart of Darkness

It’s been a bad few days in my neck of the Maine woods. A couple of weeks ago a young man named Gordon shot and killed his wife in front of their two children, then shot himself at the end of a police chase. Then, yesterday, a man named Lake killed his estranged wife and their two young children. Then he killed himself. Police came before he could torch the house.

In both cases,  marriages that had begun with joy not so many years ago, were in tatters. Children lived amidst anger and, at least in the second case, threats of violence. And then, in a last convulsion of spite and twisted logic, the families were destroyed from within. Survivors are shattered and will carry this horror with them forever. There’s no way to rationalize it, make it make sense, make it better. It is done. It cannot be fixed. Oh, the horror.

I read these stories with a sort of  dread. I looked at the photos of the families in happier days. The picture of the Lake family in the Bangor Daily News shows the family on vacation. They’re smiling, entrance stickers to a museum or something stuck to their shirts. From that happy day to this.

I’ve written about domestic violence before, in my newspaper days, of course, and in a novel called LIFELINE. In that book Jack McMorrow befriends a woman who has come to court to seek protection from her abusive boyfriend. Her name is Donna Marchant. McMorrow tries to help her. It doesn’t work out very well.

Of all my books, LIFELINE has the most realistic conclusion. In the end, there is no knight in shining armor. McMorrow tries to salvage a bad situation. A child is spared. A bad guy is hauled off in handcuffs. The plot twists and turns and, in the end, snaps your head back. This is one where even I didn’t see it coming.

But there is no real justice in these sorts of cases, not in real life. In hindsight, these tragedies seem both avoidable (oh, if only we’d known) and inevitable. Protection orders issued by courts are just pieces of paper. They don’t stop bullets. They don’t stop someone bent on self-destruction.They have little effect on someone who wants to die and take others with him.

This is why I don’t write true crime books. In the fictional world of my novels, there is justice. There are bad guys but they usually get what’s coming to them. In the end, there is order, or at least a semblance of it. In real life? Not so much.

So after I read about true crimes like these, I retreat to the refuge of my made-up stories and my made-up friends. There are good guys and bad guys but good guys usually win. McMorrow is funny. Clair is wise. Roxanne is courageous. Brandon Blake is sincere and earnest. Mia is writing it all down.

If only s real life were like this. As Hemingway wrote, “Isn’t it pretty to think so.”

June 10th, 2011

Crime Confab

Attention writer types! Thought you might want to know about the Crime Bake conference coming up in November near Boston. I mention it now because it’s more than 80 percent full already. I’m doing a workshop, talking on a panel. One of many writers from around the country who will be there to talk about mystery/crime writing. Check out the website: http://www.crimebake.org

Now back to work on McMorrow No. 10. …

June 6th, 2011

Your future, in my hands

I don’t know where Gerry Boyle is. On holiday? Off keeping track of sister Sue? Because I keep having to do his job, which is finding undiscovered musical talent, usually from the unmined towns and cities of the UK. I mean, it’s not like I have nothing else to do. I have to write books! I have a living to make.

Well, somebody’s got to do it. Steven Tyler, take a break.

I’ve recently heard from a few of the old faithful. The Purple Doves from Scotland, with their new single “No Rifle.” Rock on, mates. And Stevie Rockstar, also from Scotland. Always good ripping riffs from Stevie and the boys.

Last but certainly not least is Stuart Carr from London, who actually is pretty successful in the UK as as singer/songwriter with a studio there. He sent a nice note:

Hi Gerry,

I would like to introduce myself.

I am a singer/songwriter for Rollover Studios in London where many hits have been written & produced i.e. Peter Andre & Stephen Gately’s single, & we have released a song, by me the artist, that we wrote especially for Rhydian of X factor fame, once he had visited our studios.
I attach the song called ‘Silence Says It All’ & a PR that explains how I met Rhydian & how he wanted to work with us once he met the hit team at our studios.

I have always been behind the scenes writing & producing & was surprised at the reaction I got just promoting myself.

This proved they just genuinely liked the song as I am unknown & now I want to take my artist career further & require a label like yours to make this come to fruition.

Stuart sent along his new single, “Strong,” in which he sings, and it’s pretty darn good. Pop sort of tune, uplifting, inspiring. And he has a heck of a nice voice, Stuart does. Very smooth, good range. He’s been on BBC2, seen some success. He also sent along his cover of Barry Manilow’s Somewhere In The Night Nice job, Stuart. Really. I mean, if you were driving along and this came on the radio, you’d probably reach over and turn it up, sit back and cruise.

So like I said to Stevie and my good friends The Purple Doves, I’m not the Gerry Boyle they were looking for but I’ll do what I can. I mean, we’re all out there hustling, looking for that big break. I told Stuart that and he was very nice about it, said if I ever needed music for a movie of one of my books, just ring him up. Which I just may. Who knows?

So if you Googled Gerry Boyle and you were looking for the Gerry Boyle who is on holiday and I’m getting all his e-mail, well, make yourself at home. Read some of what I have up here on the site. I write crime novels, you know? You can get ‘em on Amazon UK. But you need some lyrics? Hey, I could try my hand at that. And you’re looking for musicians, singers? Hey, I know a whole bunch of ‘em.

June 1st, 2011

Lighting up Rockland, Maine

Come September I’ll be on the road for PORT CITY BLACK AND WHITE, Brandon Blake No. 2. More to come on that. In the meantime, I’ll be warming up with an appearance that sounds like great fun. The Maine Lighthouse Museum is having a big weekend celebration in one of my favorite towns, Rockland. Books, boats, maybe a beer. Good times!

I’ll be there with a dozen authors from noon to four Saturday, July 23. There’s stuff going on all weekend. You can’t lose when the host is the U.S. Coast Guard. Hope to see you then.

May 25th, 2011

Leonardo Had it Right

“Art is never finished, only abandoned.” —Leonardo da Vinci

It may be a bit presumptuous to invoke Leonardo  but his alleged words came to mind this week as I took another look at PORT CITY BLACK AND WHITE. The manuscript is in the pipeline at Down East Books, but we’ve been requesting blurbs of writers and one writer friend, Kate Flora, came back with, not only some kind words for the book, but a timeline question.220px Mona Lisa 86x130 Leonardo Had it Right

I’ll be honest, as this is just between us. Plotting is work for me. I can write dialogue with a smile, describe the Maine landscape, explore motivation for behavior, both good and bad. No prob. But weaving the plot? Getting all the pieces to fit together. That’s when I feel like I’m earning my money. I mean, if writing a crime novel were painting a house, plotting would be the scraping. Dialogue is the finish coat.

So when Kate came in with that question, I went back to work. Sure enough, she was right. In the cutting, trimming, compressing, I’d lost a few hours. No small thing in a book that takes place in about a week. So I needed to move a scene around, change a conversation. A little disconcerting at this stage in the game (this is between us, right?) but no big deal. But getting back to Leonardo, that brings the art (if I may call it that) back from abandonment. And once that happens I can’t help but start reading from the beginning, tweaking the dialogue, finding phrases that aren’t quite right. And that’s in a day or two. If I had a week I’d start dismantling, reassembling, adding a character here, a scene there. Not what your editor wants to hear, with galleys going out and publication just four months away.

I don’t think this is commentary on this particular book as much as it is about the creative process. When I read my books aloud, I revise on the fly. I’ve had people reading along in the audience look up in surprise as I’ve cut a line, added a few new words. This has a lot to do with the passage of time. I’m not the same writer I was a year ago, five years ago. Your experiences change you, sometimes in subtle ways, sometimes substantially. That’s reflected in the work you produce. And in the case of rookie cop Brandon Blake (in PORT CITY BLACK AND WHITE)  I’m still learning from him and about him.

In a way, a crime novel, or any novel, is a snapshot of a moment, a screen grab of your thoughts at the time. You write it and let it go. Then it’s on to the next book (I’m well into McMorrow No. 10), creating new characters, finding you have a new take on the old ones.  So Leonardo was right, no surprise. I picture him considering Mona Lisa years later. Too much smile? Not enough? Too mysterious? And then back, as they say, to the drawing board.

May 13th, 2011

The Real Krista Dittmeyer?

Last week I wrote here about Krista Dittmeyer, the 20-year-old waitress whose body was found in a pond in New Hampshire, not far from where her car was found, her 14-month-old daughter still strapped in the back seat. This week police arrested three men, including one Anthony Papile, 28, charged with murder. Also charged was a guy named Michael Petelis, a friend of Dittmeyer’s boyfriend and father of her child. Petelis reportedly had pledged to look out for Dittmeyer while the boyfriend was doing two years for selling cocaine. Instead, police say, Petelis lured Dittmeyer to New Hampshire where Papile bludgeoned her with a mallet, bound her with duct tape, and, with Petelis and a third friend,  dumped her in a pond.The motive, according to the detectives: Dittmeyer had drugs and cash. The three guys divided the stuff up after the killing.

This news has unleashed an outpouring of anger and disbelief. That Dittmeyer could be dealing drugs. That Papile could kill anyone, much less this young woman. That any of this could have happened. Read the accounts from friends and family of the victim (I’ve been following the stories written by David Hench and Ann Kim in the Portland Press Herald) and the alleged perpetrators and you would think that aliens had taken over their bodies, turning good, normal, loving people into something very evil.

Pretty to think so.

The truth, as is almost always the case, is somewhere in between. Dittmeyer probably was a nice enough young woman a lot of the time, maybe in her own way a decent mom. But if she was dealing drugs, as the police account implies, then she was most likely using drugs, and drugs slowly but surely skew your judgment. They involve you with people whose judgment is equally messed up. You don’t see all the cocaine, oxycodone, crystal meth as bad things. You and the people around you see them as a commodity, something you need to function, like coffee. Eventually the drugs, the money associated with them, and the people drawn to that world—damaged, emotionally off-kilter— become an explosive mix. A very young woman ends up dead. If convicted, the three guys go off to prison, where they will watch TV, work in the laundry, watch their backs. The rest of us shake our heads, say good riddance to dirtbags, and very quickly forget they ever existed.

This is a real-life shame, of course. but I bring it up here because the whole crew could have stepped out of one of my books. In fact, for the past few months I’ve been writing a character named Beth. She got into drugs when she was seventeen, through her boyfriend Alphonse. He’s in prison for dealing heroin but he was around long enough for Beth to have their son Racket (the name’s another story). Beth is using so much, hanging with a bunch of other drug users, that the state takes the baby away. The state worker is Roxanne. Roxanne actually felt sorry for Beth, whose life has been a series of wrong turns.

A year goes by. Two. And then something very terrible happens. To all concerned.

This book will come out in 2012. I’m not sure exactly how it’s going to turn out. But I do know that working with Jack and Roxanne and Clair has taught me that people are a mix of good and bad, smart and dumb, lucky and unlucky. The ones with the worst luck end up like Krista Dittmeyer, who by most accounts took one wrong turn too many.

Wrong place, wrong time, wrong people.

May 8th, 2011

Hell and Gone

At 50 mph the sign was a blur, the kind of thing that has you saying, “Did I see what I thought I just saw?”Hell 187x250 Hell and Gone

I pulled over, laid on the brakes. Backed up. And yes, I’d gone to Hell. Or close to it. Or maybe to a one-way trap door leading directly downward, due south, bring your sunscreen and asbestos swimming trunks.

The sign is handpainted with some care. It is angled precisely so the arrow is parallel to the pole, making me think maybe it was screwed to the pole first and then painted. By whom? I don’t know. Why? I don’t know that either. I do know that I find it intriguing as, well, hell.

So is it the work of a very religious person? Well, maybe, but why nail the guidepost to a powerline pole on the edge of the woods in a forlorn stretch of road in central Maine? Why make it so small that it leads to more quizzical headshaking (what did that say?) than remorse? Is it a reminder that Hell is down there, as in right below us (there may be an express elevator) and you–yes, you– could be there faster than you can say Osama Bin Laden. (Do you think they have roommates in Hell? “Hi, I’m Osama. I didn’t catch your name.”)

I’m joking, of course, but it’s making me uneasy already. Because I’ve long thought that the world would be a better place if we thought there was a reckoning looming. That the Devil was absolutely real, not a Halloween costume. That in the end you don’t get away with anything.

The villains in my book might think twice before committing that crime. The murderers might not pull the trigger. The bad guys would know that even if Jack McMorrow or Brandon Blake didn’t nail their sorry butts to the wall, as evildoers they’d eventually be taking the express train to Hades.

Of course, as a crime writer dependent on people’s bad behavior, I’d be out of business. So I’m going to leave it at that. I do know that, if nothing else, I’ve found my next cover.

May 2nd, 2011

True crime or sure justice?

A fellow at a book panel in Newburyport, Mass. last week asked an interesting question of his panel of mystery writers. Why write mysteries? Why not write something else?

Luckily I was second in line, behind Linda Barnes , for this one (left to right in photo, Linda Barnes, yours truly, Hallie Ephron, and moderator and author Dyke Hendrickson), giving me a few minutes to collect my thoughts. Why write crime novels? Why not westerns? Poetry? “Literary” novels?

newburyport 2 250x166 True crime or sure justice?

Newburyport Literary Festival mystery panel (David Goosh photo)

Why, indeed.

I answered the question but now, with time to consider it more, I’ll answer it a little better.

I’ve been reading about a  case in New Hampshire, where a woman named Krista Dittmeyer, just 20 years old, was found dead in a pond at a ski area. Her car was parked nearby, flashers on. Her 18-month old daughter was still strapped in her car seat , unharmed.

Krista is from Portland, Maine, a waitress by occupation. In her photo, which runs with all the stories, she’s pretty and cheerful, looks like somebody who was full of fun. Her relatives say she was a good mom, loved her little girl. Her boyfriend, the child’s father, is in jail for drug trafficking—twelve grams of coke and a couple grand. Relatively minor f but enough to take him out of circulation.

As I write this it’s been almost a week and no cause of death has been released. David Hench, police reporter for the Portland Press Herald, has done some good stories on the case, explaining what the lack of hard information could mean. Requests for toxicology reports could mean no obvious cause was found. Or investigators know what happened and are looking for evidence to bolster their case. In the meantime, the public waits and wonders.

Did she leave her home voluntarily?  What was she doing in Conway, N.H.? If she was abducted and killed, did the killers deliberately spare the child? If it wasn’t foul play, why would she leave her child unattended in a deserted,dark place? What the hell happened?

Most likely police will figure it out, with the autopsy, countless interviews, unraveling the case in that patient, dogged way good cops do. They don’t give up easily. In a cases like this, assuming it’s a homicide, they don’t give up at all.

But there’s a chance, I suppose, that they haven’t and won’t figure this one out. The Maine State Police have a whole web page devoted to unsolved murders. They go back years, the cases that are cold but not forgotten. And while I don’t know how the Krista Dittmeyer case will play out, I do know one thing: it this were a crime novel, and I were writing it, the killer or killers would be brought to justice.

I’ve been told that mystery novelists have a fascination with crime. Maybe, but mostly they have a need to see justice done. It hurts them to see real life crime. Their response—and mine—is to create a world where bad guys don’t get away with it, where good vanquishes evil, where you know that when the books ends, this crime will not stand.

I can picture a book based on a case like this one: the child alone in the car is an opening scene that gives me chills. But I’m going to settle for watching the newspapers for each report, and waiting for the truth to come out. I hope that, just like in a crime novel, it does. And if justice is needed, it is served out in spades.

April 29th, 2011

In Newburyport, writers aplenty

newburyport pic 1 250x166 In Newburyport, writers aplenty Give the folks in Newburyport, Mass., that historic seaside town, two thumbs up for the Newburyport Literary Festival, which gets underway tonight and continues through the weekend. Writers of all shapes, sizes, and genres will invade the town for talks, workshops, signings, readings, and panel discussions. If you’re in the area, check it out. I’ll be doing a panel discussion at 1 p.m. Saturday at the Old South Church with Linda Barnes, best known as the author of the Carlotta Carlyle series, and Hallie Ephron, who has written a bunch of chilling stand-alone suspense novels. We’ll have a good chat. I hope you can join in the fun.  Here are directions.

April 26th, 2011

While I think of it

When I was in the newspaper columnist biz, all those years ago, every few weeks I’d empty the notebook. I still have notebooks (different ones). To my left is a table littered with them. They’re filled with plot notes, thoughts on characters, stuff I’ve seen in my travels. So here you go. … Three kestrels flew in front of me in  two days. Birds and animals  are hunting hard, babies in the den and nest. … Bass fisherman out on my lake on Saturday. Icy rain, gusting winds. Dedication. … I’m not a gun nut but shooting a .22 pistol last week taught me why they invented nine-milllimeters. … A Maine law enforcement officer went out of his way to answer my questions last week. Two and a half hours worth. Thanks, Sarge. … Just finished reviewing edits of PORT CITY BLACK AND WHITE. Editors are truly unsung heroes. Michael Steere at Down East Books somehow kept track of all those bad guys. … How ’bout those Red Sox! Really. … If I’m good in this life will I come back as Ray Allen? …

Rolled into the Mass Cruisers cruise night last week at Gillette Stadium in Foxboro. Beautiful cars. Nice guys. My pal Chuck B was chillin’ with the P4200167 130x97 While I think of itrest of the El Camino crew. …Woman I know is about to get galleys for her first book, a lovely memoir. Cloud nine. More on that later. … A phoebe is calling behind the barn. … Heard a  story about a very tame raven today. His name is Edgar. Smarter than your average bird. … If I hadn’t been a writer I would have been a field biologist. Or a cop. … The Long Island serial killer is not long for the outside world. … How many people have access to burlap sacks? … Another killer on the loose here in Maine, the Way Life Should Be. … Young woman missing from Portland, bones just found in field in Northport. … Detectives working it hard. … Reminded me of the beginning of LIFELINE. But that was only a story. … Until next time.