ABOUT THE BOOKSTHE JACK MCMORROW MYSTERIESBRANDON BLAKE: A CRIME NOVEL

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May 13th, 2011

The Real Krista Dittmeyer?

Last week I wrote here about Krista Dittmeyer, the 20-year-old waitress whose body was found in a pond in New Hampshire, not far from where her car was found, her 14-month-old daughter still strapped in the back seat. This week police arrested three men, including one Anthony Papile, 28, charged with murder. Also charged was a guy named Michael Petelis, a friend of Dittmeyer’s boyfriend and father of her child. Petelis reportedly had pledged to look out for Dittmeyer while the boyfriend was doing two years for selling cocaine. Instead, police say, Petelis lured Dittmeyer to New Hampshire where Papile bludgeoned her with a mallet, bound her with duct tape, and, with Petelis and a third friend,  dumped her in a pond.The motive, according to the detectives: Dittmeyer had drugs and cash. The three guys divided the stuff up after the killing.

This news has unleashed an outpouring of anger and disbelief. That Dittmeyer could be dealing drugs. That Papile could kill anyone, much less this young woman. That any of this could have happened. Read the accounts from friends and family of the victim (I’ve been following the stories written by David Hench and Ann Kim in the Portland Press Herald) and the alleged perpetrators and you would think that aliens had taken over their bodies, turning good, normal, loving people into something very evil.

Pretty to think so.

The truth, as is almost always the case, is somewhere in between. Dittmeyer probably was a nice enough young woman a lot of the time, maybe in her own way a decent mom. But if she was dealing drugs, as the police account implies, then she was most likely using drugs, and drugs slowly but surely skew your judgment. They involve you with people whose judgment is equally messed up. You don’t see all the cocaine, oxycodone, crystal meth as bad things. You and the people around you see them as a commodity, something you need to function, like coffee. Eventually the drugs, the money associated with them, and the people drawn to that world—damaged, emotionally off-kilter— become an explosive mix. A very young woman ends up dead. If convicted, the three guys go off to prison, where they will watch TV, work in the laundry, watch their backs. The rest of us shake our heads, say good riddance to dirtbags, and very quickly forget they ever existed.

This is a real-life shame, of course. but I bring it up here because the whole crew could have stepped out of one of my books. In fact, for the past few months I’ve been writing a character named Beth. She got into drugs when she was seventeen, through her boyfriend Alphonse. He’s in prison for dealing heroin but he was around long enough for Beth to have their son Racket (the name’s another story). Beth is using so much, hanging with a bunch of other drug users, that the state takes the baby away. The state worker is Roxanne. Roxanne actually felt sorry for Beth, whose life has been a series of wrong turns.

A year goes by. Two. And then something very terrible happens. To all concerned.

This book will come out in 2012. I’m not sure exactly how it’s going to turn out. But I do know that working with Jack and Roxanne and Clair has taught me that people are a mix of good and bad, smart and dumb, lucky and unlucky. The ones with the worst luck end up like Krista Dittmeyer, who by most accounts took one wrong turn too many.

Wrong place, wrong time, wrong people.

May 8th, 2011

Hell and Gone

At 50 mph the sign was a blur, the kind of thing that has you saying, “Did I see what I thought I just saw?”Hell 187x250 Hell and Gone

I pulled over, laid on the brakes. Backed up. And yes, I’d gone to Hell. Or close to it. Or maybe to a one-way trap door leading directly downward, due south, bring your sunscreen and asbestos swimming trunks.

The sign is handpainted with some care. It is angled precisely so the arrow is parallel to the pole, making me think maybe it was screwed to the pole first and then painted. By whom? I don’t know. Why? I don’t know that either. I do know that I find it intriguing as, well, hell.

So is it the work of a very religious person? Well, maybe, but why nail the guidepost to a powerline pole on the edge of the woods in a forlorn stretch of road in central Maine? Why make it so small that it leads to more quizzical headshaking (what did that say?) than remorse? Is it a reminder that Hell is down there, as in right below us (there may be an express elevator) and you–yes, you– could be there faster than you can say Osama Bin Laden. (Do you think they have roommates in Hell? “Hi, I’m Osama. I didn’t catch your name.”)

I’m joking, of course, but it’s making me uneasy already. Because I’ve long thought that the world would be a better place if we thought there was a reckoning looming. That the Devil was absolutely real, not a Halloween costume. That in the end you don’t get away with anything.

The villains in my book might think twice before committing that crime. The murderers might not pull the trigger. The bad guys would know that even if Jack McMorrow or Brandon Blake didn’t nail their sorry butts to the wall, as evildoers they’d eventually be taking the express train to Hades.

Of course, as a crime writer dependent on people’s bad behavior, I’d be out of business. So I’m going to leave it at that. I do know that, if nothing else, I’ve found my next cover.

May 2nd, 2011

True crime or sure justice?

A fellow at a book panel in Newburyport, Mass. last week asked an interesting question of his panel of mystery writers. Why write mysteries? Why not write something else?

Luckily I was second in line, behind Linda Barnes , for this one (left to right in photo, Linda Barnes, yours truly, Hallie Ephron, and moderator and author Dyke Hendrickson), giving me a few minutes to collect my thoughts. Why write crime novels? Why not westerns? Poetry? “Literary” novels?

newburyport 2 250x166 True crime or sure justice?

Newburyport Literary Festival mystery panel (David Goosh photo)

Why, indeed.

I answered the question but now, with time to consider it more, I’ll answer it a little better.

I’ve been reading about a  case in New Hampshire, where a woman named Krista Dittmeyer, just 20 years old, was found dead in a pond at a ski area. Her car was parked nearby, flashers on. Her 18-month old daughter was still strapped in her car seat , unharmed.

Krista is from Portland, Maine, a waitress by occupation. In her photo, which runs with all the stories, she’s pretty and cheerful, looks like somebody who was full of fun. Her relatives say she was a good mom, loved her little girl. Her boyfriend, the child’s father, is in jail for drug trafficking—twelve grams of coke and a couple grand. Relatively minor f but enough to take him out of circulation.

As I write this it’s been almost a week and no cause of death has been released. David Hench, police reporter for the Portland Press Herald, has done some good stories on the case, explaining what the lack of hard information could mean. Requests for toxicology reports could mean no obvious cause was found. Or investigators know what happened and are looking for evidence to bolster their case. In the meantime, the public waits and wonders.

Did she leave her home voluntarily?  What was she doing in Conway, N.H.? If she was abducted and killed, did the killers deliberately spare the child? If it wasn’t foul play, why would she leave her child unattended in a deserted,dark place? What the hell happened?

Most likely police will figure it out, with the autopsy, countless interviews, unraveling the case in that patient, dogged way good cops do. They don’t give up easily. In a cases like this, assuming it’s a homicide, they don’t give up at all.

But there’s a chance, I suppose, that they haven’t and won’t figure this one out. The Maine State Police have a whole web page devoted to unsolved murders. They go back years, the cases that are cold but not forgotten. And while I don’t know how the Krista Dittmeyer case will play out, I do know one thing: it this were a crime novel, and I were writing it, the killer or killers would be brought to justice.

I’ve been told that mystery novelists have a fascination with crime. Maybe, but mostly they have a need to see justice done. It hurts them to see real life crime. Their response—and mine—is to create a world where bad guys don’t get away with it, where good vanquishes evil, where you know that when the books ends, this crime will not stand.

I can picture a book based on a case like this one: the child alone in the car is an opening scene that gives me chills. But I’m going to settle for watching the newspapers for each report, and waiting for the truth to come out. I hope that, just like in a crime novel, it does. And if justice is needed, it is served out in spades.

April 29th, 2011

In Newburyport, writers aplenty

newburyport pic 1 250x166 In Newburyport, writers aplenty Give the folks in Newburyport, Mass., that historic seaside town, two thumbs up for the Newburyport Literary Festival, which gets underway tonight and continues through the weekend. Writers of all shapes, sizes, and genres will invade the town for talks, workshops, signings, readings, and panel discussions. If you’re in the area, check it out. I’ll be doing a panel discussion at 1 p.m. Saturday at the Old South Church with Linda Barnes, best known as the author of the Carlotta Carlyle series, and Hallie Ephron, who has written a bunch of chilling stand-alone suspense novels. We’ll have a good chat. I hope you can join in the fun.  Here are directions.

April 26th, 2011

While I think of it

When I was in the newspaper columnist biz, all those years ago, every few weeks I’d empty the notebook. I still have notebooks (different ones). To my left is a table littered with them. They’re filled with plot notes, thoughts on characters, stuff I’ve seen in my travels. So here you go. … Three kestrels flew in front of me in  two days. Birds and animals  are hunting hard, babies in the den and nest. … Bass fisherman out on my lake on Saturday. Icy rain, gusting winds. Dedication. … I’m not a gun nut but shooting a .22 pistol last week taught me why they invented nine-milllimeters. … A Maine law enforcement officer went out of his way to answer my questions last week. Two and a half hours worth. Thanks, Sarge. … Just finished reviewing edits of PORT CITY BLACK AND WHITE. Editors are truly unsung heroes. Michael Steere at Down East Books somehow kept track of all those bad guys. … How ’bout those Red Sox! Really. … If I’m good in this life will I come back as Ray Allen? …

Rolled into the Mass Cruisers cruise night last week at Gillette Stadium in Foxboro. Beautiful cars. Nice guys. My pal Chuck B was chillin’ with the P4200167 130x97 While I think of itrest of the El Camino crew. …Woman I know is about to get galleys for her first book, a lovely memoir. Cloud nine. More on that later. … A phoebe is calling behind the barn. … Heard a  story about a very tame raven today. His name is Edgar. Smarter than your average bird. … If I hadn’t been a writer I would have been a field biologist. Or a cop. … The Long Island serial killer is not long for the outside world. … How many people have access to burlap sacks? … Another killer on the loose here in Maine, the Way Life Should Be. … Young woman missing from Portland, bones just found in field in Northport. … Detectives working it hard. … Reminded me of the beginning of LIFELINE. But that was only a story. … Until next time.

April 18th, 2011

Across the Pond

Recently made the acquaintance of Declan Burke, the Irish crime writer.Eightball06 Copy 86x130 Across the Pond Declan is posting Kindle titles by Irish crime writers on his website. All good stuff. Declan was good enough to include me. As he put it, “Irish-Americans are more Irish than the Irish.” I highly recommend you check it out.

April 17th, 2011

Aspiring writers want to know

When I do events, the audience is made up mostly of two types of people—readers and writers, the aspiring kind, looking to do whatever it takes to get published.

In Portland, at the Maine Festival of the Book, a few weeks back, an aspiring writer named Karla came up after and handed me a card. On it she had printed out her questions. Karla, who was quite pleasant, asked if I could answer her questions when I had a little time. “I know you’re busy,” she said. Well, who isn’t, right? But I have a little time on this rainy Sunday morning so I’ll attempt to answer a few of Karla’s questions.
What organizations are useful to join? (Mystery Writers of America, etc.?)

I’m not much of a joiner but MWA is useful. It’s best known for the Edgar Awards but there are other program, directories, etc. If you want to feel you’re linked to the bigger world of mystery writers, sign right up.

What events, conferences, etc. are the best to attend to find agents?

I’m doing a panel and workshop at the New England Crime Bake conference  in Massachusetts in November. It’s an annual event, usually sold out. Well worth attending. Lots of writers, agents, others associated with the genre. They’re all willing to share their experiences. Learn from our mistakes. Beats trial and error anytime. If you’re not in New England, there are equivalent conferences around the country.

How important is a literary agent?

Very. I’m a great believer in doing what you do best. I write okay. I’m not a good negotiator. I’m not good with details, especially financial ones. I don’t know a bunch of publishers to pitch my work to. A good agent lets the writer attend to the writing and takes care of the rest. I’ve had two agents in my career and both have been great. Writing the books is enough to contend with. A good agent leaves you feeling you’re in good hands.

That said, it may be difficult for an unpublished writer to land a literary agent. It can be done but if you’re finding the agent hunt a hard slog, it might be best to get the first book in print with a smaller press without an agent. It may be a bit easier to get someone to represent you the second time around.

Well, I guess that’s enough for today. The sun is coming out and there’s a dead elm that snapped off during this morning’s windstorm. Time to rev up the chainsaw. I’ll continue with Karla’s list next time.


April 11th, 2011

My past catches up

A couple of friends from my days in the newsroom, reporter Doug Harlow and photographer Dave Leaming,  came by to visit. boyle reallife web 1 250x184 My past catches up We talked about old crimes and former cronies—a good talk, much of which will never make it to print. Here’s the news that was fit to print.

April 10th, 2011

Uncovered

Good meeting last week at Down East Books regarding marketing of PORT CITY BLACK AND WHITE, due out in September. Lots of discussion of appearances, online promotion, video trailers. And the cover.PC BW2 161x250 Uncovered

We’ve selected one of several proposals. You’re looking at the design that emerged. What do you think? I like it. Interesting thing about that is that I look at a cover very differently than someone picking up the book to read for the first time. I know what the book’s about. I can visualize the setting. I know the mood and tone and atmosphere. So my criteria for a cover may be different from that of, say, marketing people who want readers to take it off the shelf. When this book is lined up with dozens of others, will the cover get the browser’s attention. Does it tell you that this is a book you’ll want to read? Does it have impact? Does it give you that momentary jolt?

I think this one does. Give you that jolt, I mean. And I like the baby stroller. The shadows splayed on the pavement. It’s eerie and vaguely disturbing. It seems ominous, like this is not a picture of a mom out taking the baby for an afternoon stroll. Which this book isn’t. I’ll be putting up a sample chapter or two soon, so check back in. In the meantime, love to know how this cover strikes you.

April 8th, 2011

Off to marketing

A sunny Friday in my neck of the Maine woods and I’m headed to Rockport to meet with the Down East marketing team re: PORT CITY BLACK AND WHITE, the second Brandon Blake novel due out in September. (It’s a good one, I think. Brandon is growing up before my eyes) We’ll talk appearances, signings, blurbs, trailers, media placements, trade pubs, mystery websites—the whole marketing/publicity drill. This is the public side of the writing biz. Doesn’t do much good to write it if nobody reads it. So how to best get the word out? A challenge these days but also a time of new possibilities. I’ll let you know how the meeting goes, what we come up with.

Of course, the best publicity of all is word of mouth. Thanks in advance for your help!